Pura
Luhur Uluwatu temple is a temple or residing in the village of Pecatu, District
of Kuta, Badung. Temple is located at the southwestern tip of the island of
Bali on the bridge and the steep rocks jutting into the sea high and this is
the Temple of Heaven Sad believed by Hindus as a buffer from 9 of the wind.
This temple was originally used as a place to worship a holy priest of the 11th
century was named professor Kuturan. He lowered the teachings of Indigenous
Village with all the rules. This temple is also used to worship the holy priest
that followed, namely Dang Hyang Nirartha, who came to Bali in late 1550 and
ended the trip with a so-called holy Moksah or Ngeluhur at this place. The word
is at the origin of the name Pura Luhur Uluwatu. Uluwatu temple is situated at
an altitude of 97 meters above sea level. In front of the temple there is a
small forest called Kekeran board, serves as a buffer sanctity of the temple.
Pura
Uluwatu temple has some pesanakan, the temple is closely related to the parent
temple. Pesanakan the temple of Pura Bajurit, Pererepan Pura, Pura Toadstool,
Pura Dalem and Pura Dalem Selonding Pangleburan. Each temple has a close link
with the Uluwatu Temple, especially in the days of his piodalan. Piodalan at
Pura Uluwatu, Pura Bajurit, Pura Pura Pererepan and Toadstool fell on Tuesday
Pon Wuku Medangsia every 210 days. Manifestation of God who was worshiped in
the Pura Uluwatu is the god Rudra. Uluwatu temple is also known for directly
below Pecatu beach is often used as a place for surfing, even international
events are often held here. This beach is very famous waves suitable for
surfing to be a place apart from the natural beauty of Bali are indeed very
beautiful.
Uluwatu
Temple is one of the popular tourist attraction on the island. Temple is
located at the end of this rock looks so unique and interesting, here the
visitors can see the sunset / sunset is beautiful. At the location of the
temple every day Kecak dance performance is held against the background of
sunset make a spectacular show, accompanied by a group of male dancers
numbering about 50 people. If your holiday is a time for the island to enjoy
the sunset at Uluwatu Kecak dance entertainment.
To
get into the Pura Luhur Uluwatu, we only need to pay his ticket parking lots
alone, amounting to Rp. 10,000 dollars for the motor san Rp. 5000 for
motorcycles
In Uluwatu also have a Kecak dance show, were performed every 6 pm every day.
"Kecak" is derived from an old Balinese ritual called the sanghyang - a trance dance driven by its participants' repetitive chanting. In its ancient form, the sanghyang communicated the wishes of the gods or of the ancestors.
In Uluwatu also have a Kecak dance show, were performed every 6 pm every day.
"Kecak" is derived from an old Balinese ritual called the sanghyang - a trance dance driven by its participants' repetitive chanting. In its ancient form, the sanghyang communicated the wishes of the gods or of the ancestors.
In the 1930s, a German visitor reformatted the sanghyang into
the more familiar kecakperformance - doing away with the
spiritualistic aspect of the dance and building it around the Hindu Ramayana
epic. No musical instruments
are used in a kecak performance - instead, you find about
thirty bare-chested men sitting in a circle, uttering "chak… chak…
chak" rhythmically and repetitively. The total effect is trance-inducing -
repetitive voices and outlandish costumes creating a trippy multimedia experience. The performance plays
out as the sun sets, and the culmination involves a giant fire display that is
integral to the plot. (Visitors wearing flammable material may want to get a
seat higher up in the stands.)
Rama and Sita
To help those unfamiliar
with the Ramayana, synopsis sheets are handed out to audience members before
the show.
The plot goes like this:
Rama, a wise prince and
the legal heir of the throne of Ayodha, is exiled from the his father
Dasarata's realm. He is accompanied by his beautiful wife Sita and his loyal
younger brother Laksamana. While crossing the
enchanted forest of Dandaka, the demon king Rahwana spots Sita and lusts after
her. Rahwana's deputy Marica transforms himself into a golden deer to distract
Rama and Laksamana. Rahwana then transforms
into an old man to fool Sita into stepping away from a magic circle of
protection set by Laksamana - thus fooled, Sita is spirited away to Rahwana's
realm of Alengka.Rama and Laksamana
discover the deception too late; lost in the forest, they encounter the monkey
king Hanoman, who swears his allegiance and goes off in search of Sita.
Hanoman finds Sita in
Alengka. The monkey king takes Rama's ring to Sita as a token of his contact
with her husband. Sita gives Hanoman her hairpin to give to Rama, along with a
message that she is waiting for his rescue. Hanoman marvels at the
beauty of Alengka, but begins to destroy it. Rahwana's giant servants capture
Hanoman, and bind him to be burned. Hanoman uses his magical powers to escape
from certain death. Here, the performance ends. Despite
the historical and cultural implications of the performance, the Uluwatu kecakperformance
is strictly for the tourists. The fiery escape of Hanoman is played up for
visual effect, and the actors who play Hanoman, Rahwana, and the giants ham it
up mightily. The night I watched, Hanoman went up to a bald German tourist in
the front row and rubbed the man's head, to everyone's amusement.
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